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| 巴黎日常 |
趕著和朋友見面，拋下手邊的工作，我出門時連安全帽都忘了拿，牽了車子往外衝。
巴黎馬路上的生態鏈如下：行人 > 自行車騎士 > 摩托車騎士 > 公車 > 計程車 > 私家車
身為馬路生態鏈的老二，只要不要招惹到老大，騎自行車可以闖紅燈、逆向等等。
我闖了二個紅燈，在自行車道上飆速，突然啪啪啪的，行道樹上砸下來了一些東西。我一看，像義大利麵青醬的液體黏在我的西裝外套和牛仔褲上。
我應該是被鴿子屎打中了。停下車，我拿出紙巾還有隨身攜帶的酒精消毒清潔一下。
聽說被鳥屎砸中會倒楣？其實這是我人生中第一次被鴿屎鳥屎打中，就算住在鴿子很多的巴黎。那我會倒楣嗎？
我放慢騎車的速度，也不再闖紅燈了。
（遇到鴿屎轉念的地方媽媽，人生其實沒有什麼需要趕成這樣的，路上行車安全第一。）
（下圖：Paris Design Week）
Paris Design Week🇫🇷
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#parisdesignweek2018#parisdesignweek#パリ
這次非常榮幸能在ANGUS CHIANG_official 2019SS 系列上演出！
很多人都跑來告訴我他們好喜歡 LEO37 + SOSS 的音樂，覺得驕傲♥ 看到Angus努力我更沒有藉口懈怠了，完全幫我把勇氣加滿囉～
ANGUS CHIANG 2019SS Collection in Paris Fashion Week.
Music by LEO37+SOSS and 9m88
[ Morning! Rough City 早安！城之美 ]
ANGUS CHIANG SS19 COLLECTION
『高山綿延，雲海層層疊起，鳥兒們結隊飛翔』是上一個世代保留給我們對於城市生活視覺呼吸的畫面，是台灣城市一隅中的街邊藝術-變電箱。有些人卻認爲變電箱的存在有礙市容，近年來的都更計畫更將部分電箱的色彩抹去，使得城市更充滿了複雜交錯的對立，不但矛盾了都更的緣由，更造成城市的混亂，而這混亂更侵入了世代之間的關係。新世代的思想、網路的進步，使得上一輩不得不開始接觸完全不熟悉的科技，試著與新世代互動。社會裡年老的群體開始自學電腦軟體，創作出一張張的『長輩圖』，祝賀、關心的文字配合花俏圖片的交織，毫無章法拼貼出的信息間卻暗示著互動的渴望。
世代交替的過程中許多新的招牌貼紙直接蓋住了過往的招牌，在夜晚燈火通明的街道中造成了各式補丁招牌。五花八門、不同風格的廣告穿梭在城市中，每個時代的美學互相對抗著，誰也不能保證誰最突出，彷彿年輕世代不允許舊世代的產物，但卻也只是硬生生的把它去除或是覆蓋，而舊世代的生命力也不因此澆熄，在這些情況下總是共同創造了突兀且笨拙的衝突美學。而本季ANGUS CHIANG利用舊世代、性別、文化去再重新拼貼我們城市的畫面，重新編排，試圖理解城市中每個角色的故事，我們是新世代的群體之一，共同生活的我們也屬於這一切，相互理解和換位思考共同打破世代的界線，創作對於這個城市新的想像。
Angus Chiang’s SS19 collection focuses on the older generations preserved idea of city life. This image revolves around street art in Taiwan’s city corners known as the ‘transformer box’. The ‘transformer box’ holds much ambiguity within Taiwan, with many feeling that the presence is a hindrance whilst others argue that it allows an ageless, creative freedom. Aesthetics from each era compete with one another; each poster is patch-worked with something new, creating a masterpiece that precedes generations.
Angus Chiang uses this to create a collage of Taiwan. The SS19 collection attempts to understand each individual’s story whilst viewing a new generation coexisting within an old. Looking at the everyday clothing of Aunts and Uncles at the local community centre, polo shirts, cropped pants and fake two pieces tops are reimagined in fun, youthful concepts. Chiang uses a hemming technique to interpret unruly lines and silhouettes.
Set Design by [ Gary Card ]
Show Production by [ Daniel Hettmann ]
Stylist [ Tati Cotliar ]
Visual Stylist [ John Yuyi ]
Casting Director [ Emilie Astrom ]
Artists [ Jui Chin Chiu, Wang Hao Chang ]
Hair direction by [ Chiao Chenet ] and [ Mr. Smith ] Team
Make-up by [ Satoko Watanabe ]
Photographer [ Filippo Fior ]
Videography by [ Premices Films ]
Music by [ 9m88+LEO37+SOSS ]
Thanks to the 19SS TeamANGUS
Brand Director – Tao-Ke Hu
Brand Consultant – Ting
Head Of Design – Chia-Wei Lin
Fashion Designer – Lirong Huang,Zibo Wang
Textile Designer – Pi-Hsuan Chin
Graphic Designer – Jia Li Fu
Design Assistant – Chih-Wei Tsai
Head Of PR & Marketing – Hsiang-Yi Hu PR & Marketing Specialist – Hsin-Yu Hsu
Head Of Production – Shih-Hsun Chen
Purchasing Specialist – Sun Ting
Special Thanks – Jung-Yen Chen
【Simone Rocha X H&M開賣前必睇】Simone Rocha X H&M將於3月11日早上8時開賣，屆時每人只得15分鐘選購，可謂分秒必爭，連試衫的時間都未必有。不用擔心，INNER早已為大家率先試身，想知道實物質感如何？size準唔準？入場前有什麼需要注意？立即去片！
#SimoneRochaxHM #HMHongKong #HMxME #SimoneRocha #HM #聯乘 #EditorAndFriends #INNERFASHION
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Hello! Sharing some of my traditional costumes with all of you. These are from my Dayak Orang Ulu heritage - that of Kelabit and Kenyah traditions (of Borneo). There's not much documentation of the history or evolution of our costumes and everything I say in this video comes from my own experience and what I've learnt from my aunties and mum.
Salam budaya ~ Aku kongsikan sebahagian kostum tradisional milikku buat kalian, dari keturunan suku kaum Dayak Orang Ulu, iaitu Kelabit dan Kenyah. Tidak banyak dokumentari tentang sejarah evolusi kostum kita, dan semuanya yang aku kongsikan di dalam video ini berdasarkan pengalaman aku dan apa yang aku pelajari dari tante2ku sama ibuku. Makasih!
www.alenamurang.com
Instagram: www.instagram.com/alenamurang
Facebook: www.facebook.com/alenamurang
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